total items section: 390
Art jewellery forum, space for opinion, debate and exchange. Access to conferences, articles and interviews about the art jewellery creation written by the most relevant figures on the world of art, jewellery and crafts.
Musings (words and things)
A Rare Treat16.05.2012 / 03:43 hrs.
Constanze Schreiber Workshop 27th of May until the 1 of June 2012 Atelier en Route13.05.2012 / 22:03 hrs.
Diagonal
As we walk10.05.2012 / 22:50 hrs.
Master Class: David Bielander & Helen Britton: Authenticity in the age of style surfing
(...) It seems that some makers of contemporary jewellery may have forgotten their roots, in an attempt to make work to show at exhibitions such as Schmuck in Munich. (...)
Laura Bradshaw-Heap
London, Findings Magazine, 2011
Artists at the Studio
Marc Monzó at His Workshop in Barcelona15.04.2012 / 09:36 hrs.
Interview to Sungji Yun
(...) The word ‘contemporary’ means ‘now, ‘at this moment’. It is like a reflection in the mirror. I am a contemporary jewerly designer. So, I design a jewelry with what I feel, see, think now. I always try to find new view in my daily life. For example, jazz music, people, society, articles in newpaper, science, book, film, etc. (...)
Klimt02
Barcelona, Klimt02, 2012
Interview to Kellie Riggs
(...) There are these trends going around, or at least what I would call “insta-contemporize” formulas. Painted wood objects, immediate ways of assemblage, bright color combinations and/or everything painted black, no metal usage… the list goes on. (...) people seem to be forgetting why they are making jewelry at all. And if they aren’t forgetting, least they’re not thinking to mention why the object needs to be jewelry and why it needs to be made of these things. (...)
Interview to Iris Saar Isaacs
(...) With travel and the Internet at our fingertips, the world is a small place where international influences affect us both conceptually and aesthetically. Our immediate environment is no longer physical, but rather cognitive.(...)
Interview to Tissa Berwanger
(...) There is always this tension between design and art in my work. My educational background is product design and I think it is easier for me to think like a designer than like an artist. I still have to work a lot to become an artist. (...)
Czech Jewelry
4D - contemporary jewelry04.03.2012 / 23:49 hrs.
Exchange: present your talent, build your link
Working with Enamel-124.02.2012 / 21:54 hrs.
Broesvitrine
MURMURation07.02.2012 / 09:08 hrs.
Summary of conversations
Jewelry in a political context22.12.2010 / 11:43 hrs.
Liana Pattihis case study for the Research Fellowship for Innovation in Vitreous Enamel Surfaces in Jewellery
The research project is based on the premise that there is huge and largely unexplored potential for innovation within the field of enamelled jewellery. By taking both a practice-led and theoretical approach the aim of the project has been to identify factors that might hinder innovation and present a series of alternative approaches that encourage a more experimental and open-minded approach to enamel.
Jessica Turrell
Bristol, Arts and Humanities Research Council, 2010
Jewellery talk
(...) In 2006 Daniela Hedman & Kajsa Lindberg took on the opportunity to travel around Europe and make an investigation about the field of contemporary jewellery. The suggestion came from Ruudt Peters, at that time their professor at Ädellab/Metallformgivning, Konstfack Sweden. (...)
Daniela Hedman, Kajsa Lindberg
Stockolm, Ädellab/ Metallformgiving, 2008
HEADANDSHOULDERS (two in one)
SITTING AT THE FIREPLACE01.07.2010 / 13:28 hrs.
Plan B
CCTV08.05.2010 / 10:48 hrs.
Lisa Walker’s speculations in glue
(...) Walker decided to assemble her pieces using glue, an idiosyncratic process that made her stand out in the field. Being considered the Anti-Christ of the jewellery world, glue is used ‘secretly’ in both traditional and contemporary jewellery. (...)
Dionea Rocha Watt
Oxford, Journal of Modern Craft website, 2010
Surface and substance: the place of enamel in contemporary jewellery practice
Enamel at Schmuck 201018.03.2010 / 14:06 hrs.
Kadri Mälk and her inevitable imperative
(...) I have never understood why conceptualism is so often confused with communal propaganda in Estonian art. In Just Must, the conceptualization has been put in place very exactingly, and is zestfully well-tempered, it doesn’t do anything ostentatious but it certainly is dramatic. (...)
Peeter Laurits
Tallinn, Eesti Ekspress Areen, 2008
Where? Wear? Worn?
(...) Walker is clever. She has recognised jewellery’s capacity to provoke and to critique notions of the ‘decorative’. In her practice she challenges the fundamental premise of the craft, one that historically has preference for skill, technique, preciousness and glamour. (...)
Roseanne Bartley
Melbourne, Roseanne Bartley, 2009
What does Contemporary Jewellery mean?
(...) Contemporary Jewellery is a type of practice - understood as the contemporary offspring of a craft-based design activity that finds its origin in medieval workshops. (...)
Benjamin Lignel
Bethel, Metalsmith Magazine, 2006
Art jewellery forum, space for opinion, debate and exchange. Access to conferences, articles and interviews about the art jewellery creation written by the most relevant figures on the world of art, jewellery and crafts.
