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Art jewellery forum, space for opinion, debate and exchange. Access to conferences, articles and interviews about the art jewellery creation written by the most relevant figures on the world of art, jewellery and crafts.
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| Conferences | 
| My Memories about Colour (...) Mari Ishikawa’s works illustrate deep roots in japanese tradition and rituals, revealing at once a transformation and metamorphosis of their content in a contemporary jewellery aesthetic. (...) Mari Ishikawa Barcelona , Lucca Preziosa, 2007
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| Lecture by Maria Nuutinen at the Koru2 International Contemporary Jewellery Symposium. The main idea of my work is people and our behaviour. Maria Nuutinen Lappeenranta , Koru2, 2006
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| Text ot the conference at the Arts Ornata Simposium, Barcelona 1999 (...) Creation is not communication, creation is loneliness, a loneliness calmly accepted. (...) Ramon Puig Cuyàs Barcelona , Ars Ornata, 1999
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| The Flower in the Wound: Situations & Reflections Part 2 This is the second part of Margaret West conference during the workshop Situation at Sweden in 2004. Margaret West Gothenburg , Konstepidemin, 2004
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| Ramon Puig. An hybrid mind Ana Campos Porto , Esad, 2003
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| The Flower in the Wound: Situations & Reflections Part 1 (...) Many things can incite an artist to make jewellery, irrespective of its potential role as a social catalyst. It is often prompted by existing situations, though it is not necessarily directed towards subsequent ones. What happens happens (or mis-happens). But, like all jewellery, it is haunted by the presence or the absence of a wearer. (...) Margaret West Gothenburg , Konstepidemin, 2004
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| Lecture by Sari Liimatta at the Koru2 International Contemporary Jewellery Symposium. Is jewellery as an art form a media, which we try to use, to literally connect us to the society? Sari Liimatta Lappeenranta , Koru2, 2006
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| Lecture by Lin Cheung at the Koru2 International Contemporary Jewellery Symposium My work questions the subject of jewellery, teasing out our relationships with it: what we wear and why we wear it. Lin Cheung Lappeenranta , Koru2, 2006
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| MERCURY-Re P: on Location (...) Visual and verbal language objects and words are two distinct and separate modes of human expression. (...) Margaret West Sydney , JMGA, 2006
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| Lecture by Anna Rikkinen & Nelli Tanner at the Koru2 International Contemporary Jewellery Symposium (...) the process of making art in a dialogue of two artists, a space and public. (...) Anna Rikkinen, Nelli Tanner Lappeenranta , Koru2, 2006
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| Lecture by Manon van Kouswijk at the Koru2 International Contemporary Jewellery Symposium Within my work I focus on the value and meaning that everyday objects represent to us. Manon van Kouswijk Lappeenranta , Koru2, 2006
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| Lecture by Ted Polhemus at the Koru2 International Contemporary Jewellery Symposium (...) Instead of using ornament to secure us symbolically within our tribe, we use ornament by and large to set ourselves apart as separate, distinct individuals. (...) Ted Polhemus Lappeenranta , Koru2, 2006
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| Lecture by Florence Lehmann at the Koru2 International Contemporary Jewellery Symposium (...) Since 1998, I has been working on the theme of birth: my work revolves around the analogy between the birth of forms and the birth of human beings, between creation and procreation.(...) Michèle Heuzé-Joanno Lappeenranta , Koru2, 2006
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| Lecture by Tanel Veenre at the Koru2 International Contemporary Jewellery Symposium Decadent jewelry perceives an order in the endless chaos? Tanel Veenre Lappeenranta , Koru2, 2006
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| Beyond the showcase Liesbeth den Besten 2004
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| After the revolution, jewellery without boundaries Jewellery in The Netherlands since 1990. Liesbeth den Besten 2003
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| JEWELRY -The State of the Nation 2003
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| A look at Constel.laciò: a jewel open to dialogue with the receptor Ana Campos

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