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 Selected art jewellery artists listed by countries and name. Includes information of the artists, images of the work, cv, statement, publications, exhibitions, coming events, contact.
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 | Stockholm, Sweden | mail: to.annika.pettersson@gmail.com
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Annika Pettersson
Brooch: Apply force 2010
Wood, pins
10x7x4 cm
Annika Pettersson
Ring: Hold in place 2010
Wood, Pins
4x3x1 cm
Annika Pettersson
Brooch: For how long can you hold your breath? no:2 2009
Jasmonite, pigment
12x7x4 cm
Annika Pettersson
Brooch: For how long can you hold your breath? no:3 2009
Jasmonite, pigment, cardboard
14x12x3 cm
Annika Pettersson
Necklace: Rebuilding 3 2009
Plastic, thread
20x60x16 cm
Annika Pettersson
Brooch: Rebuilding 1 2009
Plastic, thread
12x14x6 cm
Annika Pettersson
Necklace: Relation to street nr 40, 1 2009
Wood, tread, paint, glue
19x60x15 cm
Annika Pettersson
Brooch: Relation to street nr 40, 2 2009
Wood, filler, thread, glue
15x7x4 cm
Annika Pettersson
Brooch: Becoming greater in size 2008
Jasmonite, pigment, steel
8x5x4 cm
Annika Pettersson
Necklace: Keep somebody or something tightly 2008
Steel, rubber, enamel
10x50x7 cm
| Statement | I am inspired by every day life and the world thatsurroundsme, but often what interests me most are the things that I can not see. The little mysteries that surround me every day, such as laws of physics, recollection of memories, belief, and faith. It can be the fascination of a lever lifting material 1000 times its weight or the power of belief. I attempt to make objects that capture the transcendent.
My aim is not to make another perfect pieces, I am more interested in the imperfection; to see when something has a defect or fault. The things around me are not perfect and it is because of their faults that I feel drawn to them.
In my work I gather, collect, assemble, and organize. I reassemble, take apart, separate, and break down. It is only then that I can start to rebuild, connect, rearrange, and create my work. | CV | Education
2007-2009 Konstfack / MA Ädellab
2004-2008 Konstfack / BA Ädellab
2002-2004 Stenebyskolan Metallformgivning
2001-2002 Ölandsfolkhögskola Art
Exhibitions
2010 It`s a Jewel-not a doll, Platina, Stockholm Sweden | Frame Hantverkmesse, Munich Germany | Konstslöjdsssalongen 2010, Röhsska museet, Göteborg Sweden
2009 For long and faithful duty, Platina, Stockholm Sweden | International Graduation Show Galerie Marzee, Nijmegen Holland | Function and fiction, Engelska magasinet, Rejmyre Sweden | Master Exhibition, Konstfack, Stockholm Sweden | Squatting Corpus, Munchen Germany
2008 Exibit 1 (A5), Vita havet, Konstfack Sweden | Brainfood, Gustafsberg, Stockholm Sweden | Talente, Int. Hantwerksmesse, Munich Germany
2007 Exursions, Munich Germany | Touch Down Vita havet, Stockholm Sweden
2006 BA Exhibition, Konstfack, Stockholm Sweden
Workshops
2009 Workshop "BLOOD AND SPERM" Konstfack, Sweden
2007 Workshop 11-14 Feb “FLAGS” Konstfack, Sweden
2006 Workshop 6-11 march "HUNRIG" Konstfack, Sweden
2005 Workshop 7-11 Feb "IDENTITY" Konstfack, Sweden | On sale at | Platina, Stockholm Sweden
| Pettersson, Annika
Drottninggatan 106
111 60 - Stockholm
Sweden
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| Related elements about this item that can be also of your interest |
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[members only]
[Showcase]
A5: Checks & Balances
A5 (Annika Pettersson, Romina Fuentes, Adam Grinovich) in colaboration with valeveil (Jacquelyn Davis) will hold an inteactive lecture on the 20th of May 2011. KL 10:00 CEST at Konstfack University, Stockholm Sweden.
Place: Konstfack University
(Stockholm, Sweden)
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[members only]
[Exhibition]
New Traditional Jewellery: True Colours
Both meanings of the theme ‘True Colours’ were explored in the more than 300 contributions to this competition. The participants represented 34 countries. In choosing the winners, the jury has strived to show the wide variety of the different approaches to the theme.
Place: Museum voor Moderne Kunst Arnhem
(Arnhem, Netherlands)
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[members only]
[Exhibition]
aeon profit – piano forte. 145 kilos of jewellery
(...) In the exhibition “Aeon Profit – Piano Forte” A5 set out to explore the existence of the piano, breaking it apart from human function. A5 attempts to recreate the pianos identity in a new constellation and a different perspective on connecting to the human body. (...)
Place: Platina gallery
(Stockholm, Sweden)
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[members only]
[Exhibition]
It’s a jewel – not a doll
(...) In the exhibition we will find jewellery that is at the borders and at same time breaking them. Artists move across land borders, challenging conventions about what is wearable, questioning the standard of what is called authentic and useful materials and techniques not usually associated with jewellery. (...)
Place: Platina
(Stockholm, Sweden)
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[members only]
[Gallery]
Platina 2010
Member of Klimt02
Update of the gallery program for 2010 with the coming exhibition in november.
Place:
(Stockholm, Sweden)
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[members only]
[Exhibition]
For Long And Faithful Duty - 10 Years Of Beauty
(...) In December 1999 PLATINA opened up in Stockholm. During the years we have made almost 100 exhibitions and been working with a large number of artists. Some doesn't work any longer but the most are making more and even better. Now 10 years later PLATINA has invited some of them again. (...)
Place: Platina
(Stockholm, Sweden)
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[members only]
[Showcase]
B+S: Blood and sperm
In September 2009 Ädellab is organizing a seminar similar to our previous international events "Identity" 2005, "Hungrig" 2006 and "FLAGS" 2007. We have invited international artists and scientists to perform at Konstfack University responding to the chosen theme. The students of Ädellab will participate in B+S as well as students from other European Art schools and professional artists.
Place: Metaldepartment Konstfack
(Hagersten, Stockholm, Sweden)
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[members only]
[Workshop]
Flags
(...) The rapid exchange of information provided through internet and globalization seems to even out the differences between the countries, but still there is a national identity recognizable in jewellery (...)
Place: Ädellab
(Hägersten, Stockholm, Sweden)
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[members only]
[Workshop]
Hungrig
(...) The main issue is to create objects for the table and make a table installation where the object and table interact with each other. (...)
Place: Ädellab-Interieur Architecture Konstfack Stockholm
(Hägersten, Stockholm, Sweden)
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