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 Selected art jewellery artists listed by countries and name. Includes information of the artists, images of the work, cv, statement, publications, exhibitions, coming events, contact.
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 | Iowa City, United States | website: www.jillianmoore.net
website: www.phlaznatch.etsy.com
mail: jillian.a.j.moore@gmail.com
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Jillian Moore
Jillian Moore
Brooch: Capsicia 2010
Fabricated and electroformed copper, polymer clay, epoxy resin, paint, ink
8" x 3 1/2" x 3 1/2"
Jillian Moore
Brooch: Corallium 2010
Foam, composite and epoxy resin, paint
3 1/2" x 10 1/2" x 1 3/4"
Jillian Moore
Brooch: Galbus 2010
Fabricated and electroformed copper, polymer clay, epoxy resin, paint, ink
3" x 3 1/4" x 1 1/4"
Jillian Moore
Brooch: Gelwaz 2010
Fabricated and electroformed copper, polymer clay, epoxy resin, paint, ink
1 1/2" x 4" x 1 1/4"
Jillian Moore
Brooch: Narangia 2010
Fabricated and electroformed copper, polymer clay, epoxy resin, paint, ink
5" x 3" x 1"
Jillian Moore
Brooch: Neotenia 2010
Fabricated and electroformed copper, paint, ink
7” x 3 ½” x 3 ½”
Jillian Moore
Brooch: Organella Monstruosis 2010
Foam, composite and epoxy resin, fabricated copper, paint, ink
6” x 5 ½” x 2 ½”
Jillian Moore
Brooch: Orificium 2010
Foam, composite and epoxy resin, fabricated copper, paint
8” x 3 ½” x 2 ½”
Jillian Moore
Necklace: Ruber 2010
Fabricated and electroformed copper, paint, ink, rubber
3" x 4 1/2" x 1" (pendant dimension)
Jillian Moore
Brooch: Slimazia 2010
Fabricated and electroformed copper, polymer clay, epoxy resin, paint, ink
8" x 6" x 3 1/4"
Jillian Moore
Brooch: Spriozan 2010
Fabricated and electroformed copper, paint, ink
2” x 3” x 1 ½”
Jillian Moore
Brooch: Tentaculi 2010
Fabricated and electroformed copper, paint, ink
2 3/4" x 3 1/2" x 1 1/4"
Jillian Moore
Brooch: Asprutan 2009
Foam, composite and epoxy resin, copper, paint
7” x 3” x 3”
Jillian Moore
Brooch: Fructoma 2010
Electroformed and fabricated copper, polymer clay, epoxy resin, paint, ink
3” x 2” x 1”
Jillian Moore
Brooch: Parasiticus Fructus 2010
Fabricated and electroformed copper, polymer clay, epoxy resin, paint, ink
2.5" x 3.5" x 1.5"
Jillian Moore
Brooch: Succulum 2010
Foam, composite and epoxy resin, fabricated copper, paint, ink
6.5" x 4" x 2"
Jillian Moore
Brooch: Wurmiz 2010
Foam, composite and epoxy resin, fabricated copper, polymer clay, paint, steel
4 ½” x 8 ½” x 4 1/5”
Jillian Moore
Brooch: Red Flasher 2009
Composite and epoxy resin, paint, nickel, silver
3" x 3.25" x 1"
Jillian Moore
Brooch: Blue Dots Branch 2010
Fabricated copper, polymer clay, epoxy resin, paint
Jillian Moore
Brooch: Goober 2009
Composite and epoxy resin, paint, nickel silver
3.25"
Jillian Moore
Brooch: Red Blorper 2010
Composite and epoxy resin, paint, nickel silver
2.25"
Jillian Moore
Brooch: Lasche 2010
Composite and epoxy resin, paint, nickel silver
7" x 3.5" x 2.5"
Jillian Moore
Brooch: Green Goober 2010
Composite and epoxy resin, paint, nickel silver
2.25" x 1.25" x 1"
Jillian Moore
Brooch: Druplus 2010
Fabricated copper, composite and epoxy resin, paint, nickel silver
5" x 4.5" x 2.5"
Jillian Moore
Brooch: Pale Slurm 2010
Composite and epoxy resin, paint, nickel silver
3" x 1.25" x .75"
Jillian Moore
Brooch: Bulbate Succulum 2010
Fabricated copper, composite and epoxy resin, polymer clay, paint, ink, nickel silver
4"
Jillian Moore
Brooch: Lumen 2007
Electroformed and fabricated copper, epoxy resin, paint, ink, nickel silver
2.5" x 2.5" x 2"
Jillian Moore
Ring: Pink Organ 2010
Fabricated copper, polymer clay, epoxy resin, paint
Jillian Moore
Brooch: Cordyceps 2009
Fabricated copper, composite and epoxy resin, paint, nickel silver
4" x 9" x 3.5"
Jillian Moore
Brooch: Red Sac 2010
Composite and epoxy resin, paint, nickel silver
3" x 1.5" x 1"
Jillian Moore
Brooch: Hot Orange Chunker 2010
Composite and epoxy resin, paint, nickel silver
2.25" x 2" x 1"
Jillian Moore
Ring: Banded Poot Ring
Polymer clay, fabricated copper, epoxy resin, paint.
1 1/2"
Jillian Moore
Ring: Red Branch Ring
Polymer clay, fabricated copper, epoxy resin, paint.
1 1/2" x 7/8" x 1" size 7
Jillian Moore
Ring: Space Bun Ring
Polymer clay, fabricated copper, steel, paint, epoxy resin.
1.75" x 1" x 1" size 8
Jillian Moore
Brooch: Chiton VI
Electroformed copper, epoxy resin, paint, nickel silver.
1.25" x 1.75" x .75"
Jillian Moore
Brooch: Cornu
Composite and epoxy resin, paint, ink, nickel silver.
8" x 2" x 1.5"
Jillian Moore
Brooch: Nefrones
Fabricated copper, polymer clay, epoxy resin, paint, ink, nickel silver.
4" x 3" x 1.25"
Jillian Moore
Brooches: Nugget Series
Foam, composite and epoxy resin, mixed materials, paint, ink.
variable--1"-3"
Jillian Moore
Brooches: Par Lobbe
Carved foam, composite and epoxy resin, fabricated copper, dyed/weighted cord.
8" x 4" x 2.75"
Jillian Moore
Brooch: Popel
Extruded foam, composite and epoxy resin, paint, nickel silver scatter pins.
5" x 6" x 2"
Jillian Moore
Piece: Porifera
Composite and epoxy resin, fabricated copper, paint, dyed felt, nickel silver.
5" x 2.75" x 2.5"
Pendant/brooch.
Jillian Moore
Brooch: Protuberantem
Electroformed and fabricated copper, paint, ink, hand fabricated nickel silver pin
3.25" x 3.25" x 2"
Jillian Moore
Brooch: Protuberantem
Electroformed and fabricated copper, paint, ink, hand fabricated nickel silver pin.
3.25" x 3.25" x 2"
Detail of interior.
Jillian Moore
Piece: Zucchros
Composite and epoxy resin, fabricated copper, paint, dyed felt, nickel silver.
9" x 2.25" x 2.25"
Pendants/brooches.
Jillian Moore
Brooch: Tentaculum 2009
Electroformed and fabricated copper, paint
2.5"x2.75"x1"
Jillian Moore
Brooch: Epiphytic Capsularis 2009
Electroformed and fabricated copper, paint, ink
2.75"x3"x2.5"
Jillian Moore
Piece: Drupe 2009
Fabricated copper, aquaresin, resin, paint, felt
11"x3.5"x3.5"
Brooch / Pendant
Jillian Moore
Brooch: Osis 2008
Electroformed copper, resin, paint, eggshell, ink
1.25"x2.25"x1"
Jillian Moore
Brooch: Cordyceps 2009
Composite and epoxy resin, fabricated copper, paint
3.5" x 8" x 3"
Jillian Moore
Brooch: Oid 2007
Electroformed and fabricated copper, paint, ink
2.5" x 2.5" x 2"
Jillian Moore
Brooch: Porphyr 2007
Electroformed and fabricated copper, paint, ink
2.75" x 2.75" x 2.5"
Jillian Moore
Brooch: Symbogillis 2007
Electroformed and fabricated copper, paint, ink
3" x 3" x 2"
Jillian Moore
Brooch: Larval 2007
Wood, copper, paint, ink
3" x 1" x 1.5"
Jillian Moore
Brooch: Clot 2007
Fiberglass, resin, copper, paint
3.5" x 4" x 2"
Jillian Moore
Brooch: Nephron 2007
Fiberglass, resin, copper, paint
3.5" x 3" x 2.5"
Jillian Moore
Pendant: Bilious 2008
Fiberglass, resin, copper, paint, felt
4" x 5" x 4.5" (pendant dimension)
Jillian Moore
Piece: Globule 2008
Fiberglass, resin, copper, paint, felt
5" x 3" x 1.5" (pendant dimension)
brooch/pendant
Jillian Moore
Piece: Umbilicus 2008
Fiberglass, resin, copper, paint, felt
3" x 2.75" x 1.5" (largest pendant/brooch dimensio
brooches/pendants
Jillian Moore
Brooch: Wog 2008
Fiberglass, resin, paint
7" x 2.5" x 2"
Jillian Moore
Brooch: Ramus 2008
Fiberglass, resin, paint, ink
4.5" x 6" x 2"
Jillian Moore
Piece: Cucurbits 2008
Fiberglass, resin, copper, paint, felt
8" x 2.5" x 2.5" (largest pendant dimension)
brooch/pendant
Jillian Moore
Pendant: Gleba 2008
Anodized cast aluminum, felt
3.5" x 3.5" x 3" (pendant dimension)
Jillian Moore
Pendant: Meioun 2008
Anodized cast aluminum, felt
2" x 4" x 2" (pendant dimension)
Jillian Moore
Pendant: Calabaza 2008
Anodized cast aluminum, felt
6" x 4.5" x 4" (pendant dimension)
Jillian Moore
Brooch: Angeion Morphos 2008
Electroformed and fabricated copper, paint, ink
20.32 x 30.48 x 17.78 cm
Jillian Moore
Piece: Pomum Fuchsin 2008
Mixed media
Jillian Moore
Brooch: Ocelli 2008
fiberglass, paint, resin, mixed media
8 x 11 x 8 cm
Jillian Moore
Brooch: Paramekes 2008
Mixed media
| Statement | Nomen Dubium—“doubtful name”
Our natural tendency to seek out patterns results in a sensitivity to the congruities in biological forms. Deliberate exploitation of these phenomena results in objects that are both ambiguous and evocative. Some are organs removed from the body in which they once belonged, revealing structures with unknown functions. Others are complete specimens tagged with labels. Signs of dissection as well as taxonomy provide evidence of attempts to demystify these new organisms. However, this approach leaves many unanswered questions and highlights the inherent ethical compromise in these methods of understanding.
I choose materials and techniques that are transformative, resulting in objects that do not readily reveal the processes of their making. Copper may be hidden under layers of paint, the only exposed metal oxidized. The electroforming process allows for wax forms to be coated in copper leaving a hollow shell with textural encrustations--evidence of the accretive nature of the process of building copper on a molecular level. The resin pieces are light in weight, built on a core of carved foam that is strengthened by successive layers of an opaque, water-based composite resin. The clear epoxy resin is then layered with paint to create a depth of surface typically expected of glass work. The slick gloss of the resin further mimics biology.
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ana∙tome— Greek, from ana- “separate, apart from” and temnein “to cut up, cut open”
Soft, organic shapes based loosely and speculatively on biology grow and morph, coiling around, sliding on slug trails or rooting themselves like coral. Their methods of attachment or interaction imply a biological function. Some are organs, removed from the body in which they once belonged. Others are specimens to be collected as either pets or taxidermy.
Their forms are softly curving, bulbous, and juvenile in proportion—vulnerable. All of them appear to be in stasis, either terminated in transition or seeking our bodies for shelter until a phase of their life has been completed. Their motives are sometimes suspect, but so are ours.
Jillian Moore
01/21/08
| CV | Jillian Moore. Iowa City, United States.
Education
2008 MFA, Jewelry and Metal Arts Program, minor in Printmaking, School of Art and Art History, University of Iowa, Iowa City, IA.
2007 MA, Jewelry and Metal Arts Program, minor in Sculpture, School of Art and Art History, University of Iowa, Iowa City, IA.
2005 BFA, Metalsmithing and Jewelry Program, minor in Sculpture and Printmaking, College of Fine Art and Communications, Western Illinois University, Macomb, IL.
Experience
2010-11 Contributing Writer for Art Jewelry Forum blog and website | Blogger for Crafthaus, “SNAG Conference”.
2009 Guest Lecturer, Introduction to Jewelry, Kirkwood Community College, Cedar Rapids, IA | Guest Lecturer, Writing About the Arts, University of Iowa, Iowa City, IA.
2008 Guest Lecturer, Mixed Media Workshop, University of Iowa, Iowa City, IA.
2006-08 Teaching Assistantship, Introduction to Metal Arts and Jewelry,”University of Iowa, Iowa City, IA.
2005 Research Assistant/Studio Tech Assistant, Jewelry and Metal Arts, University of Iowa, IA.
Awards
2010 LEAP Award Finalist
2008 “METALinclinations”,Society of Midwestern Metalsmiths online exhibition, Award of Merit. | “Craftforms 2007”, Wayne Art Center, Wayne, PA, Juror’s Silver Award.
2007 Topeka 28, Alice C. Sabatini Gallery, Topeka, KS, Honorable Mention.
2005 Iowa Crafts 37, regional juried competition, MacNider Art Museum, Mason City, IA, Artist-to-Artist Award.
2004 Niche, Student Award Winner in Sculptural/Non-Functional category in Metal.
Solo Exhibitions
2011 Solo Exhibition, the Appalachian Center for Craft, Smithville, TN
2009 Creatura: A Thing Created, a solo show online through Object Fetish Gallery | Tributaries IV: Jillian Moore, solo exhibition, National Ornamental Metal Museum, Memphis, TN.
2008 Anatome, Solo MFA Exhibition, Art Gallery West, ABW, University of Iowa, Iowa City, IA.
2006 Mimetic of Life, MA show with Satomi Kawai, Art Gallery West, ABW, University of Iowa, Iowa City.
2004 Senior B.F.A. Exhibition, solo exhibition, Western Illinois University Art Gallery, Western Illinois University, Macomb, IL.
Group Exhibitions
2012 Upcoming, “The Art of Seduction: Exquisitely Crafted Temptations”, invitational exhibition organized by Gail Brown, Rouse Gallery, the Horowitz Center of Visual and Performing Arts, Howard Community College, Columbia, MD.
2011 “SP7: Organ/ism”, invitational group show, Quirk Gallery, Richmond, VA. | “CoOperative Tableware”, collaborative work with Emily Watson, Fancy Gallery, Seattle, WA. | “South Seas,” juried group show, Friends of Carlotta, Zurich, Switzerland. | “Charmed II: Mix ‘n Match”, Society for Contemporary Craft, Pittsburgh, PA.
2010 “NonFunctional”, organized and juried by Loring Taoka, online exhibition at Crafthaus | “Oddly Wearable”, organized and juried by Rachel Timmins, online exhibition at Crafthaus | “underwaterlove” invitational group show at Schmuckfrage, Berlin, Germany. | “Oblique Patience” invitational group show, Metrospace Gallery, East Lansing, MI. | “Play” invitational group show at Quad City Arts, Rock Island, IL.
“Charmed”, Society for Contemporary Craft, Pittsburgh, PA.
2009 “Ho Ho Ho” and “ADVENTure Box”, Friends of Carlotta, Zurich, Switzerland. | “Jewelry in Motion”, Philadelphia Museum of Art, Philadelphia, PA, curated by Gail M. Brown.
2008 “Craftforms 2008”, Wayne Art Center, Wayne, PA. | “New Work”, showcase concurrent with “500 Pendants and Lockets” at Velvet da Vinci, San Francisco, CA. | “The Ring Show: Putting the Band Back Together”, Fahm Hall, SCAD, Savannah, GA. | “Overflow”, Jen Library, SCAD, Savannah, GA. | “Co-Laboratory”, La Galerie Bleue, SCAD, Savannah, GA. | “Cresting: SNAG Juried Student Digital Image Show”, SNAG Conference, Savannah, GA. | “Surge: SNAG Juried Student Exhibition”, Gallery S.P.A.C.E., Savannah, GA.
2007 “Refined Abundance”, The Old Opera House, Stephen F. Austin State University, Nacogdoches, TX, juried by Charon Kransen. | “Jewelry Journey: Air 2006”, continuation of international traveling exhibition, Detroit Arts Market: Elements Gallery, Detroit, MI, Galería Isidro Miranda, Buenos Aires, Argentina, and beginning at beginning at the Museum für Kunst und Gewerbe, Hamburg, Germany (2006.) | “Masterpieces”, and “Magnitude 7”, Manifest Gallery, Cincinnati, OH. | “Material Alchemy”, Gallery M.I.M., Baltimore, MD.
2006 “Art of the Doll”, Pump House Regional Arts Center, La Crosse, Wisconsin. | “The Arsenal Metals & Enamels Exhibition 2006”, Columbus, OH.
2005 “Craftforms 2005”, Wayne Art Center, Wayne, PA, juried by David McFadden. | “La Petite XIII Art Competition”, Alder Art Gallery, Coburg, OR.
2003 “Midwestern Metals Exhibition”, Western Illinois University Art Gallery, Macomb, IL. | “Making it in Metal-Snag Student Exhibition”, national juried exhibition, San Francisco, CA.
| Publications | 2011 “To Market, To Market”, discussion of alternate jewelry marketing on the internet
2010 “Bingeing at SOFA Chicago”, comprehensive review for Art Jewelry Forum blog | “A Rose by Any Other Name”, interview with John and Corliss rose for Art Jewelry Forum site | “Popping Up”, article for Art Jewelry Forum Blog | “What’s She Building in There?” article for Art Jewelry Forum Blog | “Trades”, article for Art Jewelry Forum Blog (re-posted on Etsy’s Storque Blog) | “Untangling SNAG” article for Art Jewelry Forum Blog. | Crafthaus Blogger, SNAG Conference 2010 Houston.
2009 Saturated: Metal & Color, Exhibition in Print, Metalsmith Magazine, August 2009.
2008 Review of Masterpieces, Jane Durrell, Sculpture Magazine, Vol. 27, No. 6 (July/August 2008). | The Ring Show: Putting the Band Back Together, exhibition catalog, Fahm Hall, SCAD, Savannah, GA. | 500 Wedding Rings: Celebrating a Classic Symbol of Commitment, Lark Books, Asheville, NC. | Refined Abundance, exhibition catalog, The Old Opera House, Stephen F. Austin State University, Nacogdoches, TX.
2007 Exhibition catalogs for Masterpieces and Magnitude 7, Manifest Gallery Publication, Cincinnati, OH. | 500 Pendants & Lockets,Lark Books, Asheville, NC | Craftforms 2007, image of work featured on website, www.craftforms.com/ |Jewellery Journey: Air, show catalog, Lulu Press, http://www.lulu.com/content/1159003 | Material Alchemy, image of work, www.madeinmetal.net/Default.asp?Page=216
2006 Jewellery Journey: Air 2006, image of work, www.jewelleryjourney.de | A Season of Art: Jewelry, Metalsmithing & Sculpture, exhibition catalog
2005 Iowa Crafts 37, exhibition catalog | La Petite XIII Art Competition, image of work, www.alderart.com/pet13/html/pet13nails05.htm
2004 Niche Magazine, Spring 2004
Image:
2011 “On the Radar,” American Craft, Apr/May 2011.
2010 “Libro de Anillos”, (“Rings Book”) Promontora de Prensa Internacional S.A., published in Barcelona.
2009 “Saturated: Metal & Color” Exhibition in Print, Metalsmith Magazine, August 2009.
2008 Review of “Masterpieces”, Jane Durrell, Sculpture Magazine, Vol. 27, No. 6 (July/August 2008) | “500 Wedding Rings: Celebrating a Classic Symbol of Commitment”, Lark Books, Asheville, NC.
2007 Exhibition catalogs for “Masterpieces” and “Magnitude 7”, Manifest Gallery Publication, Cincinnati, OH.
“500 Pendants & Lockets”, Lark Books, Asheville, NC
| On sale at | Fancy Gallery
Seattle, WA.
Houston Center for Contemporary Craft
Houston, TX.
Modela
Iowa City, IA, www.shopmodela.com
Mutter Museum Store,
College of Physicians of Philadelphia—Mutter Museum, Philadelphia, PA.
Quirk Gallery
Richmond, VA.
Velvet da Vinci Gallery
San Francisco, CA, www.velvetdavinci.com
White Rabbit Gallery
Iowa City, IA.
Friends of Carlotta, Gallery for Jewelry and Objects
Zurich, Switzerland, www.foc.ch
La Basilica Galeria
Barcelona, Spain
www.labasilicagaleria.com
| Moore, Jillian
2022 Taylor Dr.
52240 IA - Iowa City
United States
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[Workshop]
Jillian Moore: Resin in 3D
In this workshop, you'll be learning Jillian Moore's out of the box techniques for transforming 3-dimensional objects with resin and layers of pigment.
Place: MASSC
(Long Beach, United States)
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[Workshop]
Jillian Moore: New Resin Surface Techniques Workshop
February 23 and 24 are the new dates for this two-day workshop with Jillian Moore. She will demonstrate how to apply resin to 3-dimensional objects to create interesting, complex and durable surfaces. Participants will learn about applications relating to collage materials, found objects, paint, and stains to add luster and depth.
Place: Hampton Inn & Suites
(Seattle, United States)
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[Showcase]
Call for Artists: Ferrous
“Ferrous”- A Cooperative Exhibition between Velvet Da Vinci Gallery, SF and crafthaus. Open to everyone. Crafthaus membership NOT required!! International entries are welcome.
Place: Velvet da Vinci Gallery and crafthaus (online)
(San Francisco, United States)
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[members only]
[Exhibition]
Underwaterlove
(...) A happy exposition of submarine plants and living creatures can be experienced in the works of Beate Weiss (Ger), Tamara Grüner (Ger) and Jillian Moore (USA). (...)
Place: Schmuckfrage
(Berlin, Germany)
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[members only]
[Exhibition]
Jillian Moore: Creatura, A Thing Created
(...) Her unusual forms are inspired by as she says “amateur interests in biology”. Memories of her life science classes are present in her work. You can see the inspiration in the bulbous shapes, vibrant colors and vast textures as if she has created new life forms of flora (...)
Place: Object Fetish Gallery
(San Francisco, United States)
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[members only]
[Exhibition]
Jillian Moore: Tributaries
(...) Of her work Moore writes "Recently, I've been combining forms that I find appealing based on my interests in biology. I've been creating jewelry forms that become extensions of the body-invented symbiotic organisms. I'm also interested in small sculptural forms that are becoming more abstractly figural as they evolve. I enjoy what is both repellent and seductive." (...)
Place: National Ornamental Metal Museum
(Memphis, United States)
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[members only]
[Exhibition]
Jillian Moore: New Work
(...) Soft, organic shapes based loosely and speculatively on biology grow and morph, coiling around, sliding on slug trails or rooting themselves like coral. (...)
Place: Velvet da Vinci
(San Francisco, United States)
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